Tuesday, August 25, 2015

Der Schwanendreher (Hindemith) Fingering: Viola Solo

Der Schwanendreher (Hindemith) Fingering: Viola Solo

This seems to be the best video and I got some of the fingerings by watching his left hand position


Hindemith: Der Schwanendreher ∙ hr-Sinfonieorchester ∙ Antoine Tamestit ∙ Paavo Järvi
hr-Sinfonieorchester – Frankfurt Radio Symphony




I'm trying to do this piece for an audition, and it's a bear to figure out the fingering, and it's very difficult to get your head around any "melody" as it doesn't sound anything like a classical or romantic piece like Beethoven or Brahms so here is my solution:

Position  Tab for 4 strings - Note names
1: 
  I 0 0 1 4 
III X X 1 2 
III X X X 3 
III X X X 2 
III X X 0 1 
III X 1 3 X
III x x 1 4 
2:
  I x x 1 2
III x x 0 1
III x 1 1 3
III x x x 2
3: 
III x x x 3
 VI x x x 2

 VI x x x 2
 VI x x 3 4
 VI x x 1 3
III x x 3 4
4:
III x x 1 2 
III x x x 4
III x x x 3
  I x x 1 2 
5:
  I x 1 2 3
 II x x 1 2 
 II x x 3 4 
 II x x 1 2 
1/2 x 0 1 2
1/2 x 0 1 2
6:
  I x x 0 2
  I x x x 4
  I x x x 2
  I x x x 4
  I x x 2 4 
  I x x 2 4 
  I x 1 x x 
  I x 0 x x
7:
III 1 3 x x 
III x 2 x x 
III x 3 x x 
III x 2 x x 
III x 2 x x C# 
III x 1 x x C
III x x 1 x G
8: (same)
III 1 3 x x  
III x 2 x x 
III x 3 x x 
III x 2 x x 
III x 2 x x C# 
III x 1 x x C
III x x 1 x G
9:
III 1 3 x x F# E
III 1 2 x x E# C#
 II 2 1 x x E A#
  I 1 2 x x D# B
10:
  I 1 3 x x D C
  I 1 3 x x Db C
  I 0 3 x x C C

to be continued....







Wednesday, August 19, 2015

Thursday, August 6, 2015

Getting Kids To Practice Instruments Over the Summer

Getting Kids To Practice Over the Summer


Wall Street Journal
No Vacation From Practicing for Young Musicians
Tips for keeping children engaged in music and playing their instruments over the summer break
By CORINNE RAMEY
Aug. 4, 2015 11:37 a.m. ET
Ari Ahdieh, a 10-year-old who lives in Decatur, Ga., understands the fundamental unfairness of summer, his mother says..... and then you get to the paywall...


look at trumpetmaster and you'll find most of the article there

. “I explain to her that you don’t do it to get better at this song. You do it so you won’t forget, to keep in shape.”
While fun is important in summer practicing, parents shouldn’t be afraid to set a routine, says Casey McCann, who plays guitar, piano and drums and is the founder of Eclectic Music, a community music school in Atlanta. Many parents have a fear that if they expect daily practicing, the children will end up hating music. But practicing is the only way to get better at an instrument.
“We’re not afraid kids will hate brushing their teeth,” Ms. McCann says. Parents shouldn’t take an all-or-nothing approach; the key is moderation, she says. And if a child hasn’t practiced for two weeks, don’t ask them to practice for half an hour. “One trick is to set a timer for say, 7 minutes,” she says.
Mr. Johnston, the author, recommends using rewards, the way any good computer game does. Children can make a chain out of paper clips, adding a clip for every successful practice session. “You want visible progress,” he says. When the chain is a certain length, they earn the predetermined reward—a Lego set, an amusement park trip or something intangible like additional screen time or banning.....



Sunday, July 12, 2015

Me and Digital PDP-11/34 and VT-100 at MIT circa 1978 or 1979 in disco shirt

Me and Digital PDP-11/34 and VT-100 at MIT circa 1978 or 1979 in disco shirt




Me in Alice in Wonderland polyester print shirt on a VT-100 terminal, so it can't be before 1978, but I think I ditched that shirt by 1980, my pants were also green polyester slacks or raspberry cords. I'm probably 20-21 junior or senior, definitely disco era. I don’t remember which computer lab this was, I was intern at HP Data Terminals (HP264X, HP2947 graphics, HP2626) 1977-1980, so this probably at MIT. Looks like PDP-11/34 Front panel with 7-segment numeric LED instead of 1 light / switch per bit. "The boot sequence had to be toggled in on the earlier models, but the /34 has an octal keypad so you can type the addresses and values rather than flipping binary switches. One of ours has a sticker with the boot sequence printed on it and we’ve singled stepped through it to verify that it works." Instead of ctrl-alt-del, you had to type in the boot sequence every time.

Friday, March 6, 2015

Using Keyboards in Worship Service



http://www.ccmag.com/2009_07/ccmag2009_07twilhite.pdf
TYROS3 Provides the Keys
Terry Wilhite
Do you play keyboards in a church worship service? If you do or you’re a worship leader who has to listen to keyboard players talk about our instruments, you know our needs and our usual complaints. Let me rattle off a few and see how many ring true for you. First, we need better, more realistic sounds. Most keyboards have way too many weird sounds. (“Alien Infusion” is not a sound setting
that makes for a good offertory.) We demand a pallet of “real” instruments to choose from and they need to sound like the real thing. While I’m asking for a lot here, a keyboard should make us sound better than we are. For example, while ...\

yle where free to download last weekend here http://downloadshop.yamaha.de/

Have Fun, Wim
Attached Files
File Type: styBéonDance.STY (55.0 KB, 174 views)
File Type: styBrokenBeat.STY (60.0 KB, 155 views)
File Type: styHotColdRock.STY (33.7 KB, 155 views)
File Type: styKellyBeat.STY (50.7 KB, 155 views)
File Type: styMandoRock.STY (67.4 KB, 157 views)

from 

kstenzel2





This is a zip file with worship styles made for the Yamaha Tyros series. Hope you can use it.


http://www.pulpithelps.com/www/docs/1090-6963
During a session a few years back in Atlanta, I met some music specialists at Yamaha Corporation of America who shared with me some new technology that totally changed the way I approach church music. Musicians with experience can benefit from it as well as pastors or lay leaders who don’t know a “C” from an “E.” The best-kept secret in church music is an automatic accompaniment keyboard. I had previously written such keyboards off because I equated them with the toy versions at Wal-Mart. What a mistake! Comparing a toy auto-accompaniment keyboard with a professional model is like trying to compare a Hotwheel® with a real Daytona Stock Car.

                 Here’s what an automatic keyboard can do for a pastor without an instrumentalist:

By procuring an SMF (standard MIDI file) of your favorite hymn or praise and worship song, you can pop the SMF diskette into an auto-accompaniment keyboard, press the “start” button and hear full orchestration. Standard Midi Files (the digital equivalent of player piano scrolls) for every major hymnal and praise and worship book can be purchased from places like www.musicmansion.com.

With an auto-accompaniment keyboard, you can even add “personality” to the most straightforward, basic, SMF file by playing the file using your choice of dozens of styles (pop, country, bluegrass, jazz, swing and more) that are available. It is also easy to set song marker parts for, say, the chorus of a praise and worship song—so repeats, “on the fly,” at certain points in the song are the press of a button away.

If someone has enough music savvy to read the chord progressions (C, D7, G, etc.) on sheet music and knows the equivalent on the instrument, one can take this technology even further by playing the note on the left-hand end of the keyboard, which will follow you with professional orchestration in the musical style and tempo of your choice.

While three or four manufacturers offer instruments in this class, I use the Yamaha PSR-1000 and Tyros for the preludes at our church, which are typically upbeat, praise and worship style music. With most of Yamaha’s higher-end auto-accompaniment keyboards, any part—drums, bass guitar, whatever—can be instantly muted so live musicians who are available can play the part. While beginners can use these keyboards, it is easy to dive into “deep water” and use all ten fingers and “zillions” of professional-level features, such as the on-board digital recorder on the ones I own.

In conclusion, the ultimate solution to ensure that there are instrumentalists in your church in the future is to “grow” your own! What a great addition these instruments would be for the young one’s Sunday school class. Even the larger auto-accompaniment keyboards are lightweight, making them easy to take them to the nursing home or mission field. Entry into the world of auto-accompaniment keyboards can be as low as $200. But remember, it’s usually the pastor that encourages the adoption of new technology. I hope you will investigate auto-accompaniment keyboards.

Terry Wilhite is a music and multimedia specialist. His email address is writeme@terrywilhite.com.

http://www.1manband.nl/omb.htm
One Man Band Originals for Windows version 10.3 what's new Transforms all (piano, synthesizer) keyboards into arranger keyboards with real time chords recognition!
Creates complete MIDI music-arrangements with just simple drag and drop operations!
Utilises, modifies and creates styles in Yamaha format!
One Man Band is a combination of a virtual music-keyboard with automatic-accompaniment, a sequencer that utilises styles and a style editor. It utilises standard style files that are compatible with the styles that are used in Yamaha PSR, DGX and Tyros arranger keyboards. It is able to play the thousands of Yamaha styles that are available on internet and it can create styles that can be played on a Yamaha keyboard. The sound quality produced with One Man Band depends largely on the quality of the synthesizers that are used. Make a quick start and try it out!
Professional live musicians use OMB to build a high quality arranger setup with features that are not available in the best arranger keyboards. Connect a master keyboard with 88 keys. Plug-in DXi and VSTi softsynths with incredible real sounding instruments. You will have the presets of up to 3600 songs at your fingertips including text with chords and lyrics or even a scrolling display of the score. When a new style is being loaded the current style will continue playing until the loading is complete and then plays the new style without an interruption. The presets may include a wave/mp3 intro or play a multimedia file as accompaniment instead of a style. Karaoke files will be displayed with text in large font. An editor to create Karaoke files is included. A large number of chord recognition methods is available, also for MIDI guitars, MIDI accordions and MIDI Pedals. In full keyboard mode you can play on the entire keyboard and use a footswitch for chordfixation to indicate when chords should be recognised from the keyboard for the automatic-accompaniment and when not.
Studio musicians are using OMB as a pre-production softwaretool. In the arranger and song window they can quickly try ideas with a lot of different styles, variations and chord sequences. OMB is both DXi and VSTi host and supports ASIO drivers. A complete sequencer for editing MIDI files is included too. All detailed event editing is done in easy eventslists and pianorolls. The result can be saved in a MIDI-file for further operations elsewhere. Listen to compositions made with OMB by Rob Meulman and by Sucrepop.
Home musicians are using OMB for improving the sound of their arranger keyboards or to provide their digital piano or synthesizer with real-time auto-accompaniment. Load styles directly from the hard drive of your PC. Use the style maker for "tweaking" of styles and for making them sound better. Make a style from a MIDI file. Make a collection of style-tracks and use them in your uniquely mixed styles. Watch this YouTube demonstration of a Laos style made by a One Man Band customer.
Beginning musicians will use the "PC Keyboard 1" user-interface in OMB for playing melody and chords without a MIDI keyboard controller. Play duets, one plays the auto-accompaniment chords and variation changes with the mouse and the other one plays the melody on the PC keyboard. Watch this virtuoso on YouTube.
Download a demo version of One Man Band for free,or buy the full version for only USD 49.95. An upgrade costs USD 20.00. One Man Band requires Windows 98/2000/ME/NT/XP/Vista/Windows7.



Monday, February 23, 2015

Friday, February 13, 2015

Yamaha PSR-E243 Digital Keyboard Review and Hints

Yamaha PSR-E243 Keyboard Review and Hints



Yamaha PSRE243 61-Key Entry-Level Portable Keyboard

$100 online
#1 in Musical Keyboards 16 reviews
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Yamaha · Basic · 61 Keys · MIDI Compatible · With Metronome · Touch Response · Recording · With USB
The Yamaha PSR-E243 61 Key Entry Level Portable Keyboard is 61 touch-sensitive key portable keyboard with almost 400 sounds, 100 accompaniment styles and 102 songs. Lesson guides and Yamaha's Education Suite (Y.E.S.) provide deep resources for practice and education and with an ... more »

Features

  • Smaller and more portable than DGX and YGP series digital pianos which have boom-box sound, 5 track recording, music score and lyrics, save songs to flash memory and computer, load songs
  • Big song list for lessons
  • Play back built-in songs ff,reverse, change melody, 
  • Turn of and off  left and right hand parts
  • Lesson features
  • Playing auto-accompaniment styles rhythm and chords - use like guitar autoharp, you just play the chord with 1 or two keys
  • Easy chords for root, Cm minor, C7, Cm7
  • Tap tempo - 423



psr-e423 - similar to dgx series
http://www2.yamaha.co.jp/manual/pdf/emi/english/port/psre423_en_om_c0.pdf


Not Features

  • Saving a recorded song to usb drive -but you can use midi to record on computer like garage band
  • Music database
  • Harmony with chords
  • Boom box sound quality
  • Load style file from computer / internet - 423
  • Load midi song from computer / internet - 423
  • Record up to 5 user songs - 423